When we build a digital cinema package,  the first concern we address is how the captured data is to be delivered to post.  There are many possible qualities of digital capture that can be accomplished with the Alexa, Red and Phantom cameras.  Post workflow directly transfers into hard expenses.  The way we capture with the camera sets up the cost curve for that post workflow.   We do not feel it is responsible to just send the camera out and have a client spend a lot of money on a quality level that demands a lot of post workflow when that capture method is unnecessary for the projects final distribution.  On the other hand, we do not want to under deliver a quality that will not be acceptable for more demanding post construction.

4:4:4 Camera has that experience.  Most important, we have the passion and the professionalism to set ourselves well above competing equipment providers.

The post workflow is just one of the variables that goes into building a cost effective full camera package.  Every Director of Photography, and the each Camera Assistant have demands and requirements that are necessary for their individual professional methodologies.  We strive to provide the answers and specific hardware necessary for success

Arri Alexa
This is one of the most exciting cameras to ever hit this industry. The quality of the image with the ease of operation has created an explosion of excitement over the Arri Alexa
RED MX and the New EPIC
RED is breaking down barriers at every turn. The New RED Epic has gained the attention of all levels of the industry. The rental rates on the RED MX has been significantly reduced.
Phantom HD GOLD & the New FLEX
The Phantom line of cameras have opened up our eyes and our creativity to an entirely new world.

The new Digital capture tools are Solid State, lightweight, and self-contained. Capable of uncompressed recording for HD, HD444 and raw production.

Arri Master Primes

Arri Master Primes have no equal. The highest resolution and contrast range, virtually no breathing and no gemetric distortion.

Optimo 24 - 290mm

We have an impressive inventory of Zoom Lenes. Not just the Optimo 12X , we also have the Arri Alura Zooms and the Arri LWZ-1

 

Sony Cine-Alta F35 - F23

If you are looking for the highest quality of image capture combined with image and capture control, the Sony Cine-Alta line of Cameras are ahead of all others.

...and the New Sony F3

Introducing the Sony F3, this is the answer to all the problems shooting with the DSLR. A very welcome addition to our inventory.

 

Recent News
09/11/2011]

"Ricochet" is a wrap and "Hide" starts up. The Alexas were checked in one day and then right back out the next. No time on the shelf with this new camera.

(07/28/2011]

Great to have the camera team for "Ricochet" checking out two Alexas in house. We are really looking forward to working with you over the next 4 weeks.

[06/30/2011]

Taking Delivery of the Full inventory of Arri Master Primes. We have been waiting to get this lens inventory for a very long time....Arrived just in time for several major commercial projects.

[06/30/2011]

Safe Travel to the Cast and Crew of Abe Lincoln Vampire Hunter. We just completed weeks of Phantom Flex work on ALVH in New Orleans. It took several newly acquired computers to meet the workflow demands, but those are the challenges that make this an exciting industry to work in.

[04/15/2011]

Cogan's Trade uses Phantom Flex in Anamorphic 2:40 Just when you think you have all the accessories to make everything work, We had to have a special enginnerred Panvision Mount for the Flex. Add Anamorphic to the list of capabilities...